Sprite Urban Desert – production by Teneighty Productions, produced by Noah Weinzweig, directed by Donovan Greene, cinematography by Glen Macpherson, shot in Bangkok Thailand. CGI by Base FX, Color grade by Pixel box.
Teneighty continues its work with Coke and director Donovan Greene, this time on a new Sprite TVC shot in Bangkok. Working with superb local Thai crews and Hollywood DP Glen Macpherson, the shoot was a stellar success and a lot of fun.
Japan’s EBHAS website is now LIVE.
For the first time, we have a single dedicated website where all 7 stories are showcased. Check out:
You will find 7 inspiring film stories from Australia, Borneo, China, Indonesia, Japan, Philippines, and Thailand.
LATEST FROM THE LOCATION GUIDE
Samsara is the new feature from Producer Mark Magidson and Director/Cinematographer Ron Fricke. It was shot in 25 countries over a five-year period and its UK release date is August 31st 2012.
The film has a non-narrative structure – ‘samsara’ means ‘cyclic existence’ – and is presented without dialogue or narration, putting the visuals and score front and centre. Production began with research into the specific visuals they wanted to capture. Magidson explains: “We spent a lot of time researching the locations that would give us the kind of images we were looking for. This involved a lot of online research and once we’d identified where we wanted to go the local service providers we were working with could make their recommendations too.”
Each location was filmed as a separate trip, with the team returning to the US each time to regroup and plan their next move. They travelled in a small production team of just four or five people and made the decision early on to film on 65mm film (later printed on 70mm) to get the most of the spectacular visuals.
Obviously digital technology has advanced a lot in a few short years, so if we’d started this project in 2012 we would have seriously considered shooting digitally rather than on film.
Mark Magidson, Producer
Magidson explains: “The production was filmed over five years and we chose to shoot on 65mm film because digital technology wasn’t advanced enough in 2007. When you shoot on film you have to make sure you’re shipping the footage back with a company that doesn’t use x-rays.
“Obviously digital technology has advanced a lot in a few short years, so if we’d started this project in 2012 we would have seriously considered shooting digitally rather than on film.”
The 65mm camera equipment weighed in at about 1.2 tonnes and they took with them 30 feet of dolly track broken down into five-metre segments. Given the sheer bulk of the camera equipment, improvised handheld shots were never a real choice.
Local service providers sorted out filming permits for regional landmarks and historical sites. Many of these places – such as the Kaaba in Mecca and the Basilica Di San Pietro in the Vatican – are not normally open to filming and access sometimes took a long time to negotiate. Magidson and Fricke’s trump card was that their film was celebrating the beauty of the ancient world and its architecture and the lack of controversy worked in their favour.
Majestic aerial shots of temples in Burma (now also known as Myanmar) and the Emo Valley in Ethiopia contrast sharply with scenes of pig and chicken farming in China, which are among the film’s more challenging images, especially for Western audiences. The filmmakers worked with Beijing-based Ten Eighty Productions to arrange access to these plants.
We went through high-level contacts that come with long experience of working in China; normally these places wouldn’t be open to film crews.
Noah Weizweig, Ten Eighty Productions
Noah Weizweig is a Producer and Owner of Ten Eighty: “Ron and Mark were looking for footage of industrialised China, which led us to the chicken and pig plants that appear in the film. We had to negotiate very carefully to get access to these plants, but we went through high-level contacts that come with long experience of working in China; normally these places wouldn’t be open to film crews.
“They let us in partly because of pride. They even wanted to include their company logo in the shots at the pork factory. Of course the reality is this was a naive response when it comes to being viewed by a Western audience. Chinese companies are relatively new to the [filmmaking] scene. They have a lot to learn about PR and the dangers of sharing too much with the public.”
Weinzweig was also involved in attempts to film in North Korea. The notoriously secretive state holds large-scale stadium games every summer that Magidson and Fricke were very keen to film. They got as far as arranging a scouting trip to capital city Pyongyang where Weinzweig observed smaller-scale parades and was able to plan potential camera angles for the shoot. Unfortunately this leg of the shoot was cancelled by North Korean authorities shortly before the planned start date as relations with the US soured.
Samsara squeezes an epic world view into a 100-minute timeframe and as a result some parts of the world get more screen time than others. A Native American ruin in Arizona involved some four hours of hiking for a scene that lasts less than ten seconds in the finished film. The result, however, is a stunning visual showcase of the hustle, bustle and beauty of the world today.
China filming images courtesy of Noah Weizweig.
Additional images courtesy of Mark Magidson.
The moment of truth. Samsara is about to hit the cinemas. Teneighty provided full production support for all China filming and received a producer credit for Noah Weinzweig. Words do no justice expressing the honor of working on this project with Mark, Ron and the team.
Teneighty is proud to have completed an 8 day shoot in Shanghai for INTEL with international commercial photographer, Andric (www.andric.com).
We would like to thank all known Gods and deities who conspired to provide record clear atmosphere with big blue skis and puffy white clouds. Unprecedented!
Teneighty Productions is pleased to have provided plate shots of Shanghai for the hyperactive opening scene of Hollywood blockbuster THIS MEANS WAR.
Teneighty producer, Noah Weinzweig, scouted and accessed one of the best rooftop views of Shanghai for the epic building jump in the opening scene.
Teneighty provided full production support for all of Samsara’s China filming and has received a producer credit for the work.
Teneighty is honored to have produced the final scene for Oscar award winning producer Peter Fudakowski’s directorial debut – Secret Sharer. Utilizing Teneighty’s extensive industrial network in China, we secured one of the largest factories in the world for Peter’s epic movie ending. Congrats Peter – you deserve that cigar!